The Canadian Independent Venue Coalition launches #SupportCanadianVenues

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Hundreds of concert venues, booking agencies, independent promoters/presenters, production companies and independent music festivals from across Canada have come together, donating thousands of hours of their time and immeasurable resources to launch the #SupportCanadianVenues movement as the Canadian Independent Venue Coalition. The movement is asking for decisive government support for independent concert venues, for which the COVID-19 pandemic has amplified an important and systemic financial fragility. The movement is Canada-wide and covers countless spaces that together define Canadian culture.

Recent industry research indicates that 96% of the independent music industry across Canada, including over 90% of independent venues, will disappear in a matter of months in the absence of a very significant financial aid package. CIVC is asking the federal government to commit substantial emergency funding and an economic stimulus plan for the heretofore unfunded live music and touring sector in Canada. The Coalition maintains that without this assistance, there will be no Canadian live music industry to come back to when venues are finally allowed to re-open.

The CIVC is also calling on people to share the website ( in English and in French) and social media with friends and colleagues, with the hashtag #SupportCanadianVenues in English and #SoutenezNosScènes in French. Public engagement, sharing this cause, and writing political representatives (see the action page) will be crucial to the movement’s success, as will be the voices of Canadian artists, whose careers could not have developed, evolved or flourished without the partnership of venues across the country, from coast to coast to coast, who are now at risk of closing for good.

“The Ministry of Heritage needs to see this Music Industry as an important aspect of Canadian Culture, and we’re just looking for some guidance, and most importantly some support,” –

– Broken Social Scene’s Brendan Canning.

Independent companies working in live music – including venues, booking agents, promoters and others – are a sub-sector of Canadian culture not funded by government. This has created fragile business models across the country, fuelled mostly by passion. Unfortunately, passion isn’t the currency of choice during an economic crisis, and a strong majority of these companies will face bankruptcy if they are left without help to ride out what promises to be an extended shutdown.

“What does this mean for Canadian citizens? Those who revel in having a unique, diverse and effervescent culture can stop revelling. Those who yearn to discover new artists not yet supported by multinational corporations can stop yearning. Those who earn their career, modestly or otherwise, traversing our enormous nation and providing inspiration and meaning for crowds from St. John’s to Tofino, will cease to inspire,” says Jon Weisz, founder of Indie Montreal, co-founder of and both founder and Executive Director of Les Scènes de Musique Alternatives du Québec, the association representing the province of Quebec’s small venues.

“We all started in independent venues before moving on to big festival stages. It’s often said that big things come from small places. It’s the same thing with small venues: that’s where you find the fire, the passion – it’s the experiences we live in these spaces that fuel our careers as artists. We need to help save these cherished spaces that bring together their respective communities and where our identity is defined, whether we are Acadian, Quebecois or Canadian.”

– Radio Radio

The Coalition hopes to encourage the federal government to introduce specific relief and recovery assistance for the live music and touring sector. Since the federal government does not normally fund independent venues, there is a massive blind spot in its understanding of the role they play. The Canadian Independent Venue Coalition maintains that Canada needs to speak up.

What CIVC hopes to achieve:

  • In the midst of a complete shutdown – that is, with no income for an indefinite period of time for independent venues – specific federal support is needed.
  • We need the public and artists alike to voice what live venues mean to them. Our continued existence is essential to people’s lives and wellbeing.
  • We need to educate government on the role that independent concert venues play in the economic and cultural life of our country. Without us, there is no live music industry in Canada – this is the naked truth.
  • Live music venues will be the last to re-open. We need to be in a position to do so as soon as it is safe, and with the public’s confidence in our ability to offer safe and incredible events.
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